I am now retired, but my Fellowship had a profound and lasting effect on my career in music performance and musicology, leading to many first modern editions of music from the court of Louis XIV and Louis XV, including two festivals of music at Versailles for which I provided the music editions and wrote the programme books.
I subsequently hired some of this music to over 100 choirs and orchestras worldwide and also published a 750-page catalogue of the music of the leading composer of sacred music at the French court, Michel-Richard de Lalande (1657-1726), whose motets were the original subject of my Fellowship.
Many of the first modern editions I was able to produce of the music of Lully, Lalande, Rameau and Royer have since been recorded and broadcast widely, and these all spring from the researches made possible by my Fellowship.